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The Play and Poverty
of Language
Dean Rehberger
Office: 248 Bessey Hall (EBH)
Office Hours: Tuesday and Thursday, 10:00-12:00
Office Phone: 432-2568
Mailbox: 229 Bessey Hall
Pilot: rehberge@pilot.msu.edu
URL1: http://atl46.atl.msu.edu/atl/rehberger.html
URL2: http://www.msu.edu/user/rehberge/
Integrative Studies in Arts and Humanities
231C:
Themes and Issues: Roles of Language in Society
Tuesday and Thursday
12:40-2:30 pm
209 Berkey Hall
REQUIRED
MATERIALS
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BOOKS:
- Horatio, Alger. Ragged Dick, Or
Street Life in New York with the Boot Blacks. Signet Classic, 1990.
- Hoover, Paul, ed. Postmodern American
Poetry. Norton, 1994.
- Hurston, Zora Neale. Their Eyes
Were Watching God. Perennial Library. 1990.
- Lakoff, George, and Mark Johnson.
Metaphors We Live By. U of Chicago Press, 1980.
- Lakoff, Robin Tolmach. Talking
Power: The Politics of Language. Basic Books, 1990.
- Liebow, Elliot. Tell Them Who I
Am:The Lives of Homeless Women. Penguin, 1995.
- Riis, Jacob. How the Other Half
Lives: Studies among the Tenements. Dover (with photos)1971.
ESSAYS:
- Franklin, Ben, "The Way to Wealth."
- Funiciello, Theresa, "The Poverty
Industry."
- Sumner, William Graham, selection
from What the Social Classes Owe to Each Other
Materials:
- 2 Computer Disks, DS, HD, 3.5"
- 1 Plastic disk carrying case.
- 1 Portfolio (folder with pockets)
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COURSE
OBJECTIVES
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Course Objectives
Often we think of language as a tool for communication, a transparent
medium that conveys our thoughts to others. Language, however, is much
more complex than we imagine. Language not only allows us to express our
thoughts, but shapes our attitudes and actions. Words define who we are
and how we see the world. They create our culture, expand our perspectives,
and form our relationships with others. Although words help us to understand
things, they can also set limits on what appears reasonable and rational.
Words can, that is, perpetuate social hierarchies and cultural stereotypes.
For example, think about how your attitude changes toward a person if he/she
is defined as a "criminal," a "murderer," the "accused,"
or the "defendant." Or think about how in our culture we often
associate particular qualities with colors. When we hear the word "green,"
we may think of "nature," "trees," "fresh,"
"alive," and so on. "Yellow" may elicit "sunshine"
or "cowardice"; "White" brings to mind "purity,"
"innocence," "clean," "goodness," and "sterile";
"Red" contains "danger," "wild," "angry,"
and "hot"; "Black" holds "evil," "badness,"
"beauty," and "terror." Although the color of skin
tends to be various shades of brown, we often define races in terms of
these primary colors. The problem, of course, is that in our culture the
qualities we associate with these colors often help to form and perpetuate
racial stereotypes.
In this course, we will explore how language creates both insights and
blindness. In the first unit of the course, we will play with language.
Through poetry, we will investigate the ways that words and figures of
speech (metaphors, similes, antitheses) help us to understand the world
and expand our ways of seeing. In the second unit, we will collect cultural
metaphors used to define class and gender. Through the reading of essays
and novels, we will examine how language shapes our attitudes about the
rich, the poor, and the middle class, and defines our thinking about men
and women. We will analyze closely the language used to describe poverty.
In doing so, we will try to describe how the language of poverty both aids
and hinders our attempts to help the poor.
Class Format
We will discuss texts as a class. But we also will try many classroom
activities, including group work, workshops, freewriting, prewriting, language
games, collaborative writing, microthemes and role playing. Therefore,
you will need to follow the syllabus closely and attend class regularly.
All of us will be charged with doing the reading assignments and coming
to class prepared with thoughts, questions, and responses.
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COURSE REQUIREMENTS
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1) Participation Portfolio
2) E-Mail Responses
3) Project 1: 1200 words min.
4) Project 2: 1800 words min.
Participation Portfolio:
We will be doing a good deal of in-class writing (and some out of class):
group work, workshops, freewriting, prewriting, language games, collaborative
writing, microthemes and class notes. You should keep all of your writings
in a folder that you will turn in twice during the semester. Be sure to
keep everything you do, date each piece, and organize your folder. Your
grade will be based on both the quality and the quantity of your daily
work.
E-Mail Responses:
You will write two short (50-200 words) responses to the readings each
week. We will form small groups of 8-10 people and send our responses to
all members of the group. You can respond not only to the readings but
to what other people say. You can also respond more than twice a week.
Do your first response before the Tuesday class each week. Your grade will
be based on simple participation. You will lose .5 on your e-mail grade
for each week you do not participate.
Project 1: Word Play:
You will choose a single poem from our poetry anthology and explore
the language of the poem. You will analyze the historical, social and cultural
meanings of the words as well as the figures of speech.
We will encourage creative responses. Your project may be a traditional
essay or a hypertext. The hypertext may present a unique organization and
form, and it may include text fragments, other poems, links, images, definitions,
and much more. We will discuss the project in more detail as we move through
the unit. All final projects will be published on the WWW.
The project should be 1200 words long minimum. The first draft is due on
27 February 1996 (electronic and hard copy). The final draft is due on
29 February 1996 (electronic copy only).
Project 2: Poverty
This project will focus on how class--particularly the poor--are imagined
in American culture. In other words, when it comes to poverty, what metaphors
and stereotypes do we live by? You will be encouraged to analyze the problem
from both a cultural and historical perspective? You might also examine
how race and gender intersect with your definitions of class. You should
use information from the readings in the course and you will also be encouraged
to do library and net research. Remember to properly document your sources.
We will encourage creative responses. Your project may be a traditional
essay or a hypertext. The hypertext may present a unique organization and
form, and it may include text fragments, other poems, links, images, definitions,
and much more. We will discuss the project in more detail as we move through
the unit. All final projects will be published on the WWW.
The project should be 1800 words long minimum. The first draft is due on
23 April 1996 (electronic and hard copy). The final draft is due on 2 May
1996 (electronic copy only).
Internet and Computers
Although we will meet 8 times during the quarter in a computer lab
(132 EH), you are not expected to know anything about using computers.
We will learn together. We will work with word processing, e-mail, and
the Internet. We will also publish our work on the net and learn a bit
about creating hypertexts.
You can access a more detailed syllabus and the essays at the following
net address (URL) or from my home page:
http://atl46.atl.msu.edu/atl/reh/iah231c.html
Tell all the Truth but tell it slant--
Success in Circuit lies
Too bright for our infirm Delight
The Truth's superb surprise
As lightening to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind--
By Emily Dickinson
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DAILY SHEDULE
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EMAIL RESPONSE
SCHEDULE
UNIT 1: Play of Language
1/11: Classroom 209 BH
a) Course Introduction
1/16: Classroom 209 BH
a) Read Lakoff and Johnson, Ch. 1-10
1/18: Computer Lab 132 EH
a) Read Hoover,
PP. 3-103
1/23: Classroom 209 BH
a) Read Lakoff and Johnson, Ch. 10-20
1/25: Classroom 209 BH
a) Read Hoover,
PP. 103-203
1/30: Classroom 209 BH
a) Read Lakoff and Johnson, Ch. 20-30
2/1: Computer Lab 132 EH
a) Read Hoover,
PP. 204-301
2/6: Classroom 209 BH
a) Read Lakoff,
PP. 1-56
2/8: Classroom 209 BH
a) Read Hoover,
PP. 301-408
2/13: Classroom 209 BH
a) Read Lakoff,
PP. 161-214
2/15: Computer Lab 132 EH
a) Read Hoover,
PP. 408-510
2/20: Classroom 209 BH
a) Read Lakoff,
PP. 215-302
2/22: Classroom 209 BH
a) Read Hoover,
PP. 510-612
2/27: Classroom 209 BH
a) Project 1 Draft Due
2/29: Computer Lab 132 EH
a) Portfolio Due
b) Project 1 Final Draft
UNIT 2: Language of Poverty
3/12: Classroom 209 BH
a) Read Ben Franklin
3/14: Computer Lab 132 EH
a) Read Horatio Alger, PP. 3-92
3/19: Classroom 209 BH
a) Read William Graham Sumner; Jacob Riis Ch. 15-16
3/21: Classroom 209 BH
a) Read Horatio Alger, PP. 3-92; Jacob Riis Ch. 17
3/26: Classroom 209 BH
a) Read Jacob Riis
Ch. 1-14
3/28: Computer Lab 132 EH
a) Read Jacob Riis
Ch. 18-25
4/2: Classroom 209 BH
a) Film: Grapes of Wrath
4/4: Classroom 209 BH
a) Read Zora Neale Hurston, Ch. 1-9
4/9: Classroom 209 BH
a) Read Zora Neale Hurston, Ch. 10-20
4/11: Computer Lab 132 EH
a) Read Elliot Liebow, Part 1
4/16: Classroom 209 BH
a) Read Theresa Funiciello; Elliot Liebow, Part 2
4/18: Classroom 209 BH
a) Read Elliot Liebow, Appendixes
4/23: Classroom 209 BH
a) Project 2 Draft Due
4/25: Computer Lab 132 EH
a) Portfolio Due
May 2: 7:45-9:45 a.m.
a) Project 2 Final Draft Due
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COURSE GADING
POLICY
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1) Portfolio: 30%
2) E-Mail: 10%
3) Project 1: 25%
4) Project 2: 35%
E-Mail Week 2_____
E-Mail Week 3_____
E-Mail Week 4_____
E-Mail Week 5_____
E-Mail Week 6_____
E-Mail Week 7_____
E-Mail Week 8(Opt)_____
E-Mail Week 9_____
E-Mail Week 10_____
E-Mail Week 11_____
E-Mail Week 12_____
E-Mail Week 13_____
E-Mail Week 14_____
E-Mail Week 15 (Opt)_____
(For each missed week subtract .5 from your grade except optional weeks.
Thus no misses equals a 4.0; 1 miss equals a 3.5; 2 misses equals a 3.0
and so on.)
E-Mail Grade____
10%
Mid Portfolio Grade_____
15%
Final Portfolio Grade _____
15%
Project 1 Grade_____
25%
Project 2 Grade_____
35%
Final Grade_____
100%
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STUDENT LIST
AND
E-MAIL ADDRESSES
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Click on e-mail addresses to send individual
notes; group lists below. (Note: Student list has been cut from this version
of the syllabus. But it contained a full list of students and e-mail addresses
as well as class groups. There were 48 students inenrolled in the course.)
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SPECIAL LINKS
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(Note: The external links have been cut
from this version of the syllabus.)
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CLASS HANDOUTS
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(Note: The links to class handouts have
been cut from this version of the syllabus.)
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STUDENT PROJECTS
(Note: The links to class projects have been cut from this version of
the syllabus.)
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