Logie, John. Peers, Pirates, and Persuasion: Rhetoric in the Peer-to-Peer Debates. West Lafayette, Indiana: Parlor Press, 2006, 164 pp. $22.00 (paper). ISBN 978-1-60235-005-2. $12.00 (Adobe eBook on CD, $12.00). 978-1-60235-006-9. Reviewed by Martine Courant, Rife, JD, PhD Candidate, Michigan State University and Lansing Community College.
The entire book can be downloaded for free here:
http://www.parlorpress.com/logie.html
OVERVIEW
One of my professional
goals as a composition and rhetoric teacher and researcher is to use
rhetoric or concepts from rhetoric in order to make the argument that
rhetoricians are very handy people to have available for consultation, and
that rhetoric is invaluable for informing one’s pedagogical and research
stances and practices. John Logie’s book makes an important move towards
this goal by using a rhetorical lens to examine current debates and events
in peer-to-peer filesharing/copyright contexts. It appears to me an
obviously smart and especially appropriate choice to use rhetoric for
examining legal debates of any kind, since classical rhetoric was at the
time of its invention, so closely
aligned with the practice of law. Using rhetorical analysis informed in part
by Steven Mailloux and Kenneth Burke, Logie examines the criminalization,
theft, piracy, sharing, and combat metaphors in the peer-to-peer filesharing
controversies; he discusses how ethos, pathos, and logos were used by
filesharing stakeholders in order to persuade sometimes naive peer-to-peer
filesharing service users, such as the hundreds of students sued for illegal filesharing.
Such stakeholders used persuasion to aid in users' beliefs that
"sharing" via a filesharing service, was akin to sharing in face-to-face
environments. Yet, as Logie points out in digital environments sharing
does not diminish the quality of the copy. One can have their cake,
share it, and eat their cake as well. Also, some filesharing services
failed to tell users that not only were they able to download others'
files, but the users' files were being shared with others. Rhetorical persuasion
was
used to construct narratives of war, criminalization, piracy, and theft
by music stakeholders worried about shrinking profit margins. It is this
use of rhetorical persuasion that Logie examines in his book.
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