REFERENCES AND CREDITS
REFERENCES
- Bratton, Benjamin H. (2016). The stack: On software and sovereignty. Cambridge, MA: MIT Press.
- Drucker, Johanna. (2009). SpecLab: Digital aesthetics and projects in speculative computing. Chicago, IL: University of Chicago Press.
- Drucker, Johanna. (2011). Humanities approaches to interface theory. Culture Machine, 12. Retrieved from http://svr91.edns1.com/~culturem/index.php/cm/issue/view/23
- Emerson, Lori. (2014). Reading writing interfaces: From the digital to the bookbound. Minneapolis, MN: University of Minnesota Press.
- Graham, Mark, & Zook, Matthew. (2013). Augmented realities and uneven geographies: Exploring the geolinguistic contours of the web. Environment and Planning A: Economy and Space, 45(1), 77–99.
- Haas, Christina. (1996). Writing technology: Studies on the materiality of literacy. New York, NY: Routledge.
- Hu, Tung-Hui. (2015). A pre-history of the cloud. Cambridge, MA: MIT Press.
- Lanham, Richard. (1993). The electronic word: Democracy, technology, and the arts. Chicago, IL: University of Chicago Press.
- McCorkle, Ben. (2012). Whose body?: Looking critically at new interface designs. In Kristin L. Arola & Anne Wysocki (Eds.), Composing (media) = Composing (embodiment) (pp. 174–187). Logan, UT: Utah State University Press.
- Selfe, Cynthia L., & Selfe, Richard J., Jr. (1994). The politics of the interface: Power and its exercise in electronic contact zones. College Composition and Communication, 45(4), 64–85.
- Swigart, Rob. (1990). A writer's desktop. In Brenda Laurel (Ed.), The art of human-computer interface design (pp. 135–141). London, UK: Addison-Wesley Professional.
IMAGE CREDITS